New article on “Chariots” by Perihelion

Thank you Perihelion for the amazing article👽

“Amaris is definitely a refreshing new face in the world of science fiction, announcing her new novel as bluntly as she would with a new album (she released her fourth LP in June, 2018), and showing her talent for world building on a website created for the Chariots of Orion world, where you can even learn her fictional extraterrestrial language.”

The world building page can be found here:

This article was published here:

Wenceslas’ writing yarn: 1: Sword fights

I am getting asked sometimes how I write my stories, or what kinds of books I like, or if I’d like to read something other people have written. So I thought I’d start giving some advice for writing in fantasy and science fiction. I’ve been a writer since I was 11 years old. If you start at that age, you are prone to be making a lot of mistakes when writing.

I don’t have a very long attention span when it comes to books, and only a few books manage to hook me. It may be just how I am, I may have Attention Deficit Hyperactivity Disorder (it is very likely I have that), or I just may be too picky, put it the way you want. But I don’t like books that are boring. If you send me your book, I might put it aside after reading the first page, so be warned👁

First, I’d like to discuss one of my favourite “blunders” I sometimes read in books, one that very likely causes me to put the book aside or thumb to the next chapter at once. It is sword fights. You know which ones I am talking about. They’re ubiquitous. You will stumble upon them sooner or later if you read any fantasy novel.

Those swords fights usually go down like this:

“He drew his sword and attacked. The other guy leapt aside and parried. Then the guy charged again and swung his sword. The other guy whirled out of his way and stabbed his sword at him. The first guy dodged the attack and attacked. The other guy dodged and attacked with a roar.”

If you have managed to read the whole swordplay you have earned my respect. I already stopped reading while writing it, it’s so boring.

Sword fights like this can make you put the best fantasy novel down. If I see that a few pages of swordplay are about to happen in a book, I skip it and start reading again a few pages later. Because I don’t even want to read the somewhat bearable ones. They are boring, and I hate them.

But why are tense, dramatic sword fights so boring in books? In a movie, sword fights are one of the coolest things. Swords are cool things! Why can’t we describe them in a way that they don’t become torture for our readers? I made the same mistake when I wrote my first sword fights.

The problem is actually in our language, and in the way writing works. Language is arranging words one after the other, from left to right. When we describe things, we tell one after the other. That’s how language and writing work. When we see swordplay in a movie, a lot of things happen simultaneously. That’s not possible to describe in language. “He attacked and then dodged the attack” is still a chain. And that’s what takes the tension and action away from sword fights when writing them.

I’ve tried to put that into a little coordinate system:

The problem that we need several minutes to read a sword fight that lasts only a few seconds, is what takes the perceived tension out of the writing. So how could we describe the sword fight?

Feelings and noise instead of stratagems

I know, I know. Feelings? How’s that supposed to be more interesting than the fight? But if you describe a sword fight from point of view of a third person, try to describe what the person feels while watching the fight, instead of telling us everything you know about fencing theory. You could describe the noise, the clangour of the two blades clashing together in the crisp cold air in the snow-spangled wood where the fight takes place. You could describe that the third person doesn’t pity the guy that’s bleeding from a hideous gash, because maybe they are a foe. Maybe the third person is revolted, amused, aghast at how shoddy his pupil parries. There must be something he observes.

Short scenes that make the reader imagine the fight

You don’t have to describe every hit, stab, jolt. You could describe what the third person sees in short sentences that make the reader imagine what happens.

A minute later, there was a pandemonium of swords and spears clashing, men roaring, and blood spilling cloaks

Instead of:

A minute later, the warriors charged and and the first rows clashed together violently. The knights swung their swords and attacked and were met by a row of men with spears, who responded to their attack by piercing their cloaks.

That doesn’t mean you can’t describe a fight like that, I also understand that sometimes you just have to try and hit those 100 000 words. But don’t describe too much; your reader should be capable of imagining what goes on if you describe swords and spears, the metallic clangour in the cold air, and the blood spilling the white snow (or some of that ilk).

I also really like authors that describe fights like this:

They were in a whirl of cloaks and spears.

Instead of:

He attacked with his spear. The other guy’s cloak whirled as he dodged and parried with his own spear.

So that’s enough talking about books for today. Hope it helps you with writing your fantasy novel and let me know what you think in the comments.

Find me on Instagram: @amariswenceslas

How to draw an extraterrestrial👽

When it comes to world building, one of the questions you have to ask yourself is: How do the people in your story- and on your planet- look like? And why do they look like that? Are their eyes bigger because their sun isn’t that bright? Is their skin darker because their sun is very warm? Are they monsters with tentacles or do they resemble humans? Why are they wearing that cloak, or that hairstyle? You should have a story behind each of these questions. And drawing your characters might help you build your world.

I just wanted to share a little guide as to how I am drawing my aliens. This drawing does have a bit more than 70 layers, and shows Arikmé, the Alonian warlord (on the right) and Dagon Naikkipalli, the Alonian Head of State (on the left) from my series The Chariots of Orion.

1. Sketch

When you have an idea how the drawing should roughly look like, dedicate the first layer to make a sketch. Don’t worry about the background just now, you can add that layer later. Note that I have also sketched the body parts that are not visible in the drawing. This is to make sure that the clothing fits the outlines of the bodies.

2. Outlines

Once you have decided what your drawing should roughly look like, and sketched the shapes of the bodies, switch to black ink to draw the outlines of the drawing, such as clothes and hair. Leave out complicated parts like hands, or hair (as in this case, Arikmé’s pompous hairstyle), and dedicate individual layers to them, in case you have to redo them several times. This sketch already does have separate layers for both figures, and for body parts such as hands.

3. Faces

It is time to draw the faces! Facial expressions are hard to draw, so you’ll want separate layers for them. Now you ought also determine the body language of the characters. How’s their relation, what are they talking about? Note that Dagon (on the left) is a higher official than Arikmé, and that he is slightly shorter than the warlord, but he doesn’t seem to look up at him. Arikmé is (as the ones among you that have read the book may already know) very proud, and whilst he reports to Dagon, he will still keep his attitude.

4. Filling and clothing

When you have done the outlines and the clothing, you can start to fill. The colour of the officials is black, and a golden and a silver belt signal a very high official, so both men are wearing black. Dagon wears a white cloak, not only because he is a higher official, but because the colour white is reserved for the king. Also, his headdress indicates that he does have more power than Arikmé. Being a warlord, Arikmé wears a cap on his head. This cap does have more than five layers, each for every colour. Note that I still haven’t done the faces.

5. Faces and hands

This is the hardest part. I first did a few layers with the eyes, and later created a layer for the skin colour, and pulled that layer under the previous layer. It’s less distracting when you can draw the eyes on a plain background. The skin colour is always hard. It’s best to try several shades until you find one that fits. The Alonians don’t really have only one type of skin colour, but they all have a shade that is rather tanned (think North Africa, South America).

Now, also Arikmé’s hair is drawn.

6. Finishing touches

Now you can draw things you forgot or want to add. Arikmé got piercings, his crown, and a sword. Dagon got some outlines for his cloak and jewels for his crown. The sign shown on Arikmé’s crown and on his robes is the character Yaxal, which stands for serrated rock, strength, and cleverness, and does have the sound “y”. There is also a female form of the character with the same sound, but a slightly different form.

7. The background

Now you can draw the background. It is easier to create the landscape after you’ve drawn your characters. I went for the city of ancient Meryo in Alonia, with the river and the desert in the background.

I hope you had fun reading this guide, and that it helps you start with your own aliens👽

Aquamarine review – update

I was so thrilled by this video review of my recent album “Aquamarine”! Thank you, Audible Addixion!😘

The review can be found here:

Speaking of oceans, you should check out this article about oceans on extraterrestrial planets.

You can find “Aquamarine” on Bandcamp:

Drawing: View from an ice moon

Ice moon
An extraterrestrial ice world.

I wanted to share this little drawing I shared on Instagram earlier. It shows an ice moon orbiting a blue gas giant (like Neptun, Jupiter…) and another small moon in the background.

An ice world like this can be found in our own solar system, with Enceladus, a moon orbiting Saturn, which is covered in ice, and could hide a humongous ocean under its surface (

I talked to Perihelion Books about Chariots of Orion, Hearthstone, and why I don’t get involved in earthly politics.

In an interview with Perihelion Books, I’ve talked about what inspired me for the “Chariots of Orion”, my favourite books, and why I became an author. You can find the whole interview here:

Source: Ámaris‘ Instagram @amariswenceslas

How did you became a sci-fi author?

I’ve always loved astronomy and science fiction! When I was little, I wanted to become an astronomer, or particle-physicist. As we know, that part didn’t work out, but the least I could do was use that passion for a novel. I’ve marvelled about how an alien civilisation could be like on my blog, and I thought that it might be good material for a novel.

How did that wide, complex story behind “Orion” evolve? Did being a songwriter help you create the story?

It’s a funny question because I don’t really know how it evolved. This world just suddenly unfolds and you first take notes, then it becomes quite a pile of notes, then you write the first couple of chapters, and the more you write, the wider the story grows. I wanted the setting for the book to be realistic, and the civilisation to be a community that is slightly similar to us, not some crazy monsters with tentacles. So I kind of built that world based on logic; I asked myself “Is this realistic?”. Sometimes I’ve felt a bit like a researcher, climbing through an ancient city and exploring more and more about the city the further he walks. A bit like Indiana Jones exploring a temple, I guess.

As for my music, I guess it hardly inspires me for what I’m writing as an author, most of the time it’s the other way round, and the book inspires me for music.

For “Orion”, you have done a lot of researches before even starting to write, even sought the help of scientists to let the planet and its civilisation seem realistic. Wasn’t that a lot of work?

I think it’s always a bit of work, trying to, you know, define such a complex world. The more a world unfolds, the more questions will appear, the more details claim to be defined, and of course you want them to be realistic. You start with one planet, suddenly you got several, there are several countries, several languages, several cultures, all of which have their traditions, their history, their customs. For me, the most difficult thing was to calculate the astronomical and physical attributes of the planet, to make it as realistic as possible. But I’m glad I had great people, great scientists, that were willing to help me with that task.

What can the reader expect in “Orion” 1?

I guess it’s not the classic, you know, laser sabre, spaceship story, although there are a couple of spaceships in the novel, don’t worry. You can expect a journey to a highly advanced civilisation in outer space, wars between extraterrestrial worlds, and, I hope, good entertainment.

Why did you choose the genre of science fiction and fantasy?

Again, I don’t think that this is something you choose, but something that needs to evolve on your mind; I think it’s the story that chooses the genre, not the author.

What do you think about subjects like astronomy or Ancient Astronaut Theory that keep appearing in the story, are you into these things, too?

Absolutely! I’ve loved astronomy since I’ve been a child. I think it’s just fascinating. As for the Ancient Astronaut Theory, of course, it’s inspired me a bit for the story of “Orion”; I think it’s pretty cool. I’m not a U.F.O. hunter or something, but I think it’s stunning to think that extraterrestrials could have visited the earth in the past, even though, of course, there isn’t any proof. I reckon I’m more realistic- and skeptic- minded then some of the readers might think, and I’m very skeptic whenever I hear such theories (laughs).

The story of “Orion” features political melting pots. Are you interested into politics?

Actually, I don’t get engaged with terrestrial politics, you know (laughs). The planet on which the story takes place doesn’t have anything to do with the Earth. But I thought that it’d be more realistic if an alien civilisation faces political schemes as well, instead of just fighting each other in spaceships.

Let’s be honest – do you believe in extraterrestrials?

I am absolutely convinced that we’re not alone in the universe, but it might be difficult to get in contact with another civilisation. Perhaps they use completely different ways of communicating, maybe they want to be left alone, and who knows if they would be peaceful? In “Orion”, there are a lot of different species, some of which are not interested into getting involved with humans, and some of them wanting to destroy the Earth. I guess that there could be lots of different species in the universe, and we probably shouldn’t get too close to all of them.

On your recent album, Aquamarine, you dedicated one of your songs, Taunt, to the game Hearthstone. Do you play games a lot?

I really like Hearthstone, although I don’t have time to play it a lot, and the game just somehow inspired me for the song. I also really like chess. Maybe it just shows that I’m a bit of a nerd (laughs).

What kind of books do you enjoy?

Utopia by Thomas Morus is one of my favourite. I also do love surreal science fiction and fantasy. Another book I loved is What if by Randall Munroe, I love that combination of science and entertainment. And of course, I’m a huge fan of H.P. Lovecraft, especially the Cthulu series.

Interview by judith, editor and publicist.