First Contact – how to respond to aliens

Today, on World UFO Day, I wanted to share this article from Futurism that I found today on Twitter, which claims that apparently, the UK Seti Research Network wants the average person to share how they would respond to a sign from an alien civilization.

As we know from a couple of movies and books, the outcome from those contacts isn’t always that much in favour of the earthlings, so it might actually be quite useful to have a collection of opinions from all kinds of people, not only from scientists. I’d love to hear what people would propose to do if we were contacted by aliens.

The problem here is; how do you respond to something that none has ever experienced? Where no studies, no analytics exist?

And, if you’re an Ancient Aliens Theorist, the Nazca lines cannot be counted as a study, so this will not help us. So I guess it will have to be figuring out what kind of extraterrestrials we are dealing with, and how we should respond to them. Maybe they are bacteria and wouldn’t be able to talk the way we are used to.

And, of course, maybe they already survey us:)

Happy World UFO Day!🛸

What about you? What would be your response to a sign from an alien civilization? Share in the comments.

Which planet do people like the most?

I asked people on Instagram what their favourite planet was and these were the results.

1. Saturn

2. Jupiter

3. Pluto

4. Earth (though one vote said without humans)

5. Venus

6. Mars

7. Neptune

Neptune actually had as many votes as Mars, but one of the votes was my own, so I had to leave my vote out.

What did you vote? Let me know in the comments!🛸

Can belief in aliens replace religion?

First, sorry for the clickbaity title, but earlier this morning I noticed this article from Futurism on my Twitter timeline so I thought it was time for a little analysis again.

The article mentions that now a growing number of Americans believe in aliens, and that they might hope that the aliens could turn out to be our saviours, rather than a religious character.

Someone out there? – Photo by Casey Horner on Unsplash

In the article, a professor describes how the belief in aliens works like a growing new religion, and that the threats that our planet and our civilization currently face (such as pollution, climate change, inequality) could add to the belief – and maybe even demand – that an external being could actually save us.

First, I have to admit that although at this time there still is no hard proof that aliens have visited or are currently visiting the Earth, there are many reasons to believe that they exist. While we have not managed to actually make contact with aliens yet, it is likely that they are out there, and that they might be more advanced than we are.

There are shows like Ancient Aliens that investigate the possibility that aliens have visited the Earth in the remote past and actually helped our civilization evolve, or even helped creating us. The problem that occurs is, why would aliens have visited us? And for those that believe they have helped create us, why would they do this? Would they do this to help another species because they’re nice fellows, or maybe for another reason? Could it be possible that they maybe do not want to visit because they think we’re jerks?

We will have to wait for the aliens to tell us, should they visit soon, because everything else is guesswork.

But for the time being, at least the growing belief in aliens might stand for something good: the growing acceptance of new concepts.

Do you believe in aliens? Let me know in the comments.

Visit the full article on Futurism here

Can art help fighting pollution?

As artists, we entertain people. You work for people, not for yourself. During one of my first interviews, when I was about 18, I told the journalist that I wasn’t doing art just “for me”, but that I thought that it was something that you do for people. You do it to inspire people, to entertain people, and to cheer them up when they have a bad day.

The reefs that once inspired me to write my first story have started fading. The sea is being polluted, and climate change will not cease with us standing by.

I am not only talking about animals such as whales that are being washed up on beaches, their stomachs bursting with our garbage, or seals eating a plastic bag because they took it for a tasty jellyfish. Scientists have stated that seafood now could actually become a threat to us, as carcinogenic substances such as bisphenol A (which can leach out of bottles and cans) can settle in the bodies of fish- and therefore end up in our stomachs.

I think that equality, environment, pollution, and climate change should be important to all of us, because we as a species are living and dependent on this planet.

When I work on crafting the fictional world for the “Chariots of Orion” books, I am always reminded of how many innumerable, small things are part of a world, of a civilization, and how hard it would be to rebuild a whole world.

We currently do not have another planet.

The non-profit organisation Big Blue Ocean Cleanup-up is doing their part by helping fight pollution in the sea, by cleaning our beaches. It is important in freeing the sea from all the plastic, the waste that has formed entire islands in the oceans (“Great Pacific Garbage Patch”). This is why I have decided to support them, and to help raising awareness for the amazing work they are doing.

As a non-profit organisation that are only interested in doing what they can to help stopping pollution, they are dependent on donations and support, which is why I will from today give 1 pound / dollar for every sold copy of my book “The Request” to the Big Blue Ocean Cleanup organisation.

There are already successes around the whole planet where plastic bags and straws are being banned, and were people are trying to produce less waste by raising awareness. There are even attempts to finally clean up the Great Pacific Garbage Patch. We can still make a change for our oceans- and our environment.

This isn’t a self-promote post. I don’t claim that my book is any better than the books of other authors. It is an artwork, and art, as we know, is subject to preference and taste. But if I can use this book to do something for the planet, for the environment – for the sea that inspired me – even, if it is a small part, it would make it a successful project, and would give it purpose.

If you can use your art to help fighting pollution, then everyone can profit from it, despite taste and preference.

Get your copy to donate here

Thank you🙏💝

Supporting:

New article on “Chariots” by Perihelion

Thank you Perihelion for the amazing article👽

“Amaris is definitely a refreshing new face in the world of science fiction, announcing her new novel as bluntly as she would with a new album (she released her fourth LP in June, 2018), and showing her talent for world building on a website created for the Chariots of Orion world, where you can even learn her fictional extraterrestrial language.”

The world building page can be found here: www.iphael-world.com

This article was published here: http://www.perihelion-books.com/2019/01/16/girl-power-for-sci-fi/

Wenceslas’ writing yarn: 1: Sword fights

I am getting asked sometimes how I write my stories, or what kinds of books I like, or if I’d like to read something other people have written. So I thought I’d start giving some advice for writing in fantasy and science fiction. I’ve been a writer since I was 11 years old. If you start at that age, you are prone to be making a lot of mistakes when writing.

I don’t have a very long attention span when it comes to books, and only a few books manage to hook me. It may be just how I am, I may have Attention Deficit Hyperactivity Disorder (it is very likely I have that), or I just may be too picky, put it the way you want. But I don’t like books that are boring. If you send me your book, I might put it aside after reading the first page, so be warned👁

First, I’d like to discuss one of my favourite “blunders” I sometimes read in books, one that very likely causes me to put the book aside or thumb to the next chapter at once. It is sword fights. You know which ones I am talking about. They’re ubiquitous. You will stumble upon them sooner or later if you read any fantasy novel.

Those swords fights usually go down like this:

“He drew his sword and attacked. The other guy leapt aside and parried. Then the guy charged again and swung his sword. The other guy whirled out of his way and stabbed his sword at him. The first guy dodged the attack and attacked. The other guy dodged and attacked with a roar.”

If you have managed to read the whole swordplay you have earned my respect. I already stopped reading while writing it, it’s so boring.

Sword fights like this can make you put the best fantasy novel down. If I see that a few pages of swordplay are about to happen in a book, I skip it and start reading again a few pages later. Because I don’t even want to read the somewhat bearable ones. They are boring, and I hate them.

But why are tense, dramatic sword fights so boring in books? In a movie, sword fights are one of the coolest things. Swords are cool things! Why can’t we describe them in a way that they don’t become torture for our readers? I made the same mistake when I wrote my first sword fights.

The problem is actually in our language, and in the way writing works. Language is arranging words one after the other, from left to right. When we describe things, we tell one after the other. That’s how language and writing work. When we see swordplay in a movie, a lot of things happen simultaneously. That’s not possible to describe in language. “He attacked and then dodged the attack” is still a chain. And that’s what takes the tension and action away from sword fights when writing them.

I’ve tried to put that into a little coordinate system:

The problem that we need several minutes to read a sword fight that lasts only a few seconds, is what takes the perceived tension out of the writing. So how could we describe the sword fight?

Feelings and noise instead of stratagems

I know, I know. Feelings? How’s that supposed to be more interesting than the fight? But if you describe a sword fight from point of view of a third person, try to describe what the person feels while watching the fight, instead of telling us everything you know about fencing theory. You could describe the noise, the clangour of the two blades clashing together in the crisp cold air in the snow-spangled wood where the fight takes place. You could describe that the third person doesn’t pity the guy that’s bleeding from a hideous gash, because maybe they are a foe. Maybe the third person is revolted, amused, aghast at how shoddy his pupil parries. There must be something he observes.

Short scenes that make the reader imagine the fight

You don’t have to describe every hit, stab, jolt. You could describe what the third person sees in short sentences that make the reader imagine what happens.

A minute later, there was a pandemonium of swords and spears clashing, men roaring, and blood spilling cloaks

Instead of:

A minute later, the warriors charged and and the first rows clashed together violently. The knights swung their swords and attacked and were met by a row of men with spears, who responded to their attack by piercing their cloaks.

That doesn’t mean you can’t describe a fight like that, I also understand that sometimes you just have to try and hit those 100 000 words. But don’t describe too much; your reader should be capable of imagining what goes on if you describe swords and spears, the metallic clangour in the cold air, and the blood spilling the white snow (or some of that ilk).

I also really like authors that describe fights like this:

They were in a whirl of cloaks and spears.

Instead of:

He attacked with his spear. The other guy’s cloak whirled as he dodged and parried with his own spear.

So that’s enough talking about books for today. Hope it helps you with writing your fantasy novel and let me know what you think in the comments.

Find me on Instagram: @amariswenceslas

How to draw an extraterrestrial👽

When it comes to world building, one of the questions you have to ask yourself is: How do the people in your story- and on your planet- look like? And why do they look like that? Are their eyes bigger because their sun isn’t that bright? Is their skin darker because their sun is very warm? Are they monsters with tentacles or do they resemble humans? Why are they wearing that cloak, or that hairstyle? You should have a story behind each of these questions. And drawing your characters might help you build your world.

I just wanted to share a little guide as to how I am drawing my aliens. This drawing does have a bit more than 70 layers, and shows Arikmé, the Alonian warlord (on the right) and Dagon Naikkipalli, the Alonian Head of State (on the left) from my series The Chariots of Orion.

1. Sketch

When you have an idea how the drawing should roughly look like, dedicate the first layer to make a sketch. Don’t worry about the background just now, you can add that layer later. Note that I have also sketched the body parts that are not visible in the drawing. This is to make sure that the clothing fits the outlines of the bodies.

2. Outlines

Once you have decided what your drawing should roughly look like, and sketched the shapes of the bodies, switch to black ink to draw the outlines of the drawing, such as clothes and hair. Leave out complicated parts like hands, or hair (as in this case, Arikmé’s pompous hairstyle), and dedicate individual layers to them, in case you have to redo them several times. This sketch already does have separate layers for both figures, and for body parts such as hands.

3. Faces

It is time to draw the faces! Facial expressions are hard to draw, so you’ll want separate layers for them. Now you ought also determine the body language of the characters. How’s their relation, what are they talking about? Note that Dagon (on the left) is a higher official than Arikmé, and that he is slightly shorter than the warlord, but he doesn’t seem to look up at him. Arikmé is (as the ones among you that have read the book may already know) very proud, and whilst he reports to Dagon, he will still keep his attitude.

4. Filling and clothing

When you have done the outlines and the clothing, you can start to fill. The colour of the officials is black, and a golden and a silver belt signal a very high official, so both men are wearing black. Dagon wears a white cloak, not only because he is a higher official, but because the colour white is reserved for the king. Also, his headdress indicates that he does have more power than Arikmé. Being a warlord, Arikmé wears a cap on his head. This cap does have more than five layers, each for every colour. Note that I still haven’t done the faces.

5. Faces and hands

This is the hardest part. I first did a few layers with the eyes, and later created a layer for the skin colour, and pulled that layer under the previous layer. It’s less distracting when you can draw the eyes on a plain background. The skin colour is always hard. It’s best to try several shades until you find one that fits. The Alonians don’t really have only one type of skin colour, but they all have a shade that is rather tanned (think North Africa, South America).

Now, also Arikmé’s hair is drawn.

6. Finishing touches

Now you can draw things you forgot or want to add. Arikmé got piercings, his crown, and a sword. Dagon got some outlines for his cloak and jewels for his crown. The sign shown on Arikmé’s crown and on his robes is the character Yaxal, which stands for serrated rock, strength, and cleverness, and does have the sound “y”. There is also a female form of the character with the same sound, but a slightly different form.

7. The background

Now you can draw the background. It is easier to create the landscape after you’ve drawn your characters. I went for the city of ancient Meryo in Alonia, with the river and the desert in the background.

I hope you had fun reading this guide, and that it helps you start with your own aliens👽